a) Saulutė ir obuolys; b) Natiurmortas su granatais
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Audio and video information about the exhibit
Name | Language |
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Paveikslas „Baltagalvė skaistažiedė“ | Lithuanian |
Painting “White-faced Chrysanthemum” | English |
Afrikos saulutė ir obuolys. Įrašyta 2020 | Lithuanian |
African Daisy and Apple. Recorded 2020 | English |
Name | Language |
---|---|
Paveikslas „Baltagalvė skaistažiedė“ | Lithuanian Sign Language |
The digital content published on the LIMIS portal could be used on commercial and non-commercial purposes. When using digital content, you must specify the following: author; the name of the exhibit; primary account number or inventory number; the museum which has the exhibit; link to the exhibit in senas.limis.lt. In the event that the author is unknown or anonymous, it must be indicated that the author is unknown or anonymous. If the photo of the exhibit is created by the photographer, the photographer's name and surname must be specified.
Lithuanian National Museum of Art the provided information is only for reading and watching purposes.
It is not allowed to reuse, distribute or in any other way use website content Lithuanian National Museum of Art without written, prior agreement of the museum. To get the permission please send requests to muziejus@lndm.lt.
All document copies and (or) programs must have the copyright symbol © and the registered trademark symbol ® that are not to be removed.
The website is formatted and designed by JSC Nortal, JSC Alna Software, JSC Asseco Lithuania and Lithuanian art museum. Copying or imitating design elements on other websites is strictly forbidden.
Museum | Lithuanian National Museum of Art |
Fund | main |
Exhibit type | tapyba |
Field | menas, profesionalioji vaizduojamoji dailė |
Primary account number | LNDM ED 169272/a-b |
Inventory number | LNDM T 12237/a-b |
Measurements | aukštis – 35 cm plotis – 29 cm |
Materials | kartonas |
Manufacturing technique | aliejinė tapyba |
Author(s) | |
Date | 1958 m. |
Description
Exhibit description | a) Natiurmortas. Ankstyviesiems Domšaičio natiurmortams būdinga vešlios, ryškiaspalvės formos, vėlyvuosiuose stebime formų ir spalvų minimalizmą. Viena gėlė, vienas vaisius, vienas motyvas. Iš visos kūrinijos gausos dailininkas renkasi „mažą“, bet talento dėka sukuria „didį“. Bet ar gali būti didis gėlės žiedas ar žalias avokadas? O dvi aguonos, linkstančios iš per žemos vazos? Žvilgsnis į daiktų esmę vėlyvojoje kūryboje yra koncentruotas, skvarbus, dvasingas. P. Domšaitis teigė: „Moderniosios dailės kūrinys privalo spinduliuoti vidinį gyvenimą. Kompozicija bei spalvų parinkimas tėra tik priemonės, kuriomis dailininkas išreiškia savąją pasaulio sąrangos vidinę sampratą. Todėl moderniajai tapybai nederėtų vien kopijuoti gamtą tokią, kokią mums atskleidžia fizinės akys. Kuo stipresnė menininko intuicija, tuo jis bus pajėgesnis ištyrinėti tiek daiktų esmę, tiek ir dieviškosios tvarkos sąryšingumą – Absoliutą". Aprašė Kristina Jokubavičienė, Nijolė Nevčesauskienė |
Other titles
Main title
Title | Language | Type | Date | |||
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a) Saulutė ir obuolys; b) Natiurmortas su granatais | more information...
|
Additional titles
Title | Language | Type | Date | |||||
---|---|---|---|---|---|---|---|---|
Painting “White-faced Chrysanthemum” | anglų kalba | more information...
|
Author's rights of the exhibit
Owner of author’s rights | Lietuvos nacionalinis dailės muziejus |